Against Understanding, Volume 1: Commentary and Critique in by Bruce Fink

By Bruce Fink

Opposed to realizing, quantity 1, explores how the method of knowing (which might be visible to be half and parcel of the Lacanian measurement of the imaginary) reduces the strange to the time-honored, transforms the appreciably different into a similar, and renders practitioners deaf to what's truly being acknowledged within the analytic surroundings. working counter to the bought view in nearly all of latest psychotherapy and psychoanalysis, Bruce Fink argues that the present obsession with knowing – at the patient’s half in addition to at the clinician’s – is over the top insofar because the such a lot crucial target of psychoanalytic remedy is change.

utilizing a number of case reports and scientific vignettes, Fink illustrates that the power of clinicians to discover the subconscious via slips of the tongue, slurred speech, combined metaphors, and different cases of "misspeaking" is compromised via an emphasis on figuring out the why and wherefore of patients’ indicators and behaviour styles. He exhibits that the dogged look for wide awake wisdom approximately these indicators and styles, through sufferers and practitioners alike, usually thwart instead of foster swap, which calls for ongoing entry to the subconscious and wide paintings with it.

during this first a part of a two-volume number of papers, a lot of that have by no means sooner than seemed in print, Bruce Fink provides considerable proof of the healing powers of speech that function with no the necessity for any kind of specific, articulated wisdom. opposed to realizing, quantity 1 brings Lacanian idea alive in a manner that's precise, demonstrating the healing strength of a strategy that is predicated way more at the virtues of speech within the analytic environment than on a unsleeping recognition approximately something whatever on patients’ elements. This quantity might be of curiosity to psychoanalysts, psychotherapists, psychiatrists, psychologists, social staff, and counselors.

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Extra info for Against Understanding, Volume 1: Commentary and Critique in a Lacanian Key

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It is in fact this feeling of something 'known of old' that is central to the uncanny. , 241). The house is haunted by the ghost or trace of a memory which takes tbe individual back to the early, perhaps foetal, relation with tbe motber. This theme is central to the Gotbic borror film in which the heroine is haunted by the memory of another woman, usually the husband's former wife, the symbolic mother. We see this dynamic at play in Rebecca, Gaslight, Secret Beyond the Door and Dragonwyck. Apart from Gothic horror, exploration of the uncanny in other horror films is more violent, the monsters more monstrous.

According to James Ursini and Alain Silver in their book The Vampire Film, most lesbian vampire films draw on one of two sources. One source is Sheridan Le Fanu's novella 'Carmilla', which tells the story of the Countess Millarca Karnstein, who has lived for centuries by vampirizing young women. The other is an historical figure, the sixteenth-century Hungarian noblewoman, the Countess Elizabeth Bathory, who was accused of torturing to death over 600 young virgins and bathing in their blood in nrder to maintain her youth and beauty.

In the classic vampire film (Dracula, Vampire Lovers), the vampire sleeps in herihis coffin like an unborn baby nestled in the dark comfort of the mother's womb. After feeding, the vampire must return to the 'womb' or die. Blood of course is the first food of the foetus/vampire. The connection between the vampire and a foetus is drawn even more strongly in those texts where Dracula is female . According to Ernst Jones, the female vampire'S blood-sucking is equivalent to oral sex. She sucks the innocent male's blood as if she were 69 \ \ THE MONSTROUS-FEMININE WOMAN AS VAMPIRE sucking the semen from his penis.

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